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General and Artistic Director of The Atlanta Opera since 2013, Israeli born Tomer Zvulun is also one of opera’s most exciting stage directors, earning consistent praise for his creative vision, often described as cinematic and fresh. His work has been presented by prestigious opera houses around the world, including The Metropolitan Opera, the opera companies of Israel, Buenos Aires, Los Angeles, Montreal, Wexford, Glimmerglass, Houston, Washington National Opera, Seattle, Dallas, Detroit, San Diego, Minnesota, Boston, Cleveland, Cincinnati, Pittsburgh, New Orleans and Wolf Trap, as well as leading educational institutes and universities such as The Juilliard School, Indiana University, Boston University, and IVAI in Tel Aviv.

Since taking the leadership in Atlanta a decade ago, he personally directed thirty of the company’s productions. He increased the operations of the company from three to six productions per season, while stabilizing the financials and in the course of his first decade tenure, secured Atlanta’s position as one of the top 10 opera companies in the US. Some of his noted achievements includes launching the successful Discoveries series, creating the first young artist program in the company’s history, tripling the company’s annual fund raising, launching the company’s first RING cycle, creating The Atlanta Opera Film Studio, and building a theatre in a circus tent where performances were conducted safely during the pandemic.

His work at The Atlanta Opera attracted international attention by earning numerous awards and prizes including the nomination of The Atlanta Opera for the International Opera Awards in London and the selection of his production of Silent Night as both the Irish Times and Atlanta Journal-Constitution production of the year. His focus on innovation led to an invitation to deliver a TED talk as well as a case study that is being taught at Harvard Business School. His productions travel the world and bring wide exposure to the company. Next season his productions of Rigoletto travel to Los Angeles Opera, his La bohème returns to The Dallas Opera, and his acclaimed production of The (R)evolution of Steve Jobs will make its Kennedy Center debut at the Washington National Opera.

INTRODUCTION & INVOCATION: Thornton Kennedy